Nina Simon’s work as an author, change leader, and activist is all about creating more open, generous, community-focused organizations. She is the founder and CEO of OF/BY/FOR ALL, a nonprofit organization that provides tools to help civic and cultural organizations matter more to more people. Today, over 50 organizations are using the OF/BY/FOR ALL framework to build relationships, relevance, and impact in their communities.
These days, news from the U.S.-Mexico border is fraught with tension. Increased U.S. restrictions on asylum-seekers have left hundreds of migrants from Central America and elsewhere stranded on the Mexican side of the border, and relations between the two countries have been strained. In response, various cultural and human rights groups are reaching across the border to help stranded migrants and to reinforce the historic bonds between the two countries. Among them are a handful of choral music organizations, including two choral initiatives centered on the San Diego-Tijuana border region.
Chorus America has announced the recipients of its 2020 awards program, recognizing a broad range of achievements in choral music, including artistic excellence, adventurous programming, innovative education programs, and lifetime service to the choral art.
As diversity, equity, and inclusion have increasingly come to the forefront for so many classical music organizations today, there’s a forum that has become a leading space in DEI conversations for the past five years: SphinxConnect.
(NANM board members in 1941, Foster Memorial Hall, Pittsburgh. Pictured are Blanche K. Thompson, Josephine Inness, Henry L. Grant, Mary Cardwell Dawson, Clarence Hayden Wilson, and Florence B. Price. Photo credit: Carnegie Museum of Art, Charles "Teenie" Harris Archive)
A panel discussion at the 2019 Conference capped off Chorus America’s inaugural “Voices of Change” program—an effort to foster more collaboration and inclusiveness in the Philadelphia-area choral community and provide leaders with education on diversity, equity, and inclusion (DEI). Now the time has come to identify insights from this cohort that are relevant to choruses elsewhere. What might choral leaders expect when venturing into DEI discussions and attempting to build new connections in their choral communities? Voices of Change participants, facilitator Nicole Robinson, and Chorus America staff reflect on what was gained over the course of the year, as well as seeds planted that will take continued work to nurture.
Alexander Lloyd Blake is a conductor, vocal arranger, singer, and music activist in Los Angeles, and directs Tonality, a choral ensemble founded in 2016 that solely focuses on themed concerts on social justice.
The World Symposium on Choral Music is an eight-day festival held every three years, organized by the International Federation for Choral Music. The next symposium is scheduled for July 2020, to be hosted in Auckland, New Zealand. In anticipation of WSCM2020, symposium artistic director John Rosser, who also founded and directs the Auckland-based chamber choir Viva Voce, spoke with Chorus America about next year’s event and its theme, tangata whenua.
The Zamir Chorale of Boston is launching a new online resource intended to share the breadth and beauty of the repertoire that has been its specialty for 50 years. The chorale’s founder, Joshua Jacobson, explains why he believes choral music from Jewish traditions will be a welcome discovery for choruses of all kinds.
Aiming to foster a more welcoming and connected choral community in the city of our 2019 Conference, Chorus America has been bringing representatives of Philadelphia-area choruses together since last October for a series of workshops and online learning activities called “Voices of Change: Building a More Inclusive Choral Community.” Led by Nicole R. Robinson, a music educator and the founder of the consulting firm Cultural Connections by Design, the project is intended to support choruses in considering diversity, equity, and inclusion in their work and to explore strategies for increased communication and collaboration between different kinds of choruses.