This March, Chorus America welcomes Catherine Dehoney as the organization’s new President and CEO. Catherine brings a wealth of arts management and fundraising experience to the position—and after years of leading our development efforts, she's no stranger to the Chorus America family! Here she shares some thoughts about choruses today, her first priorities on the job, and why singing is her favorite team sport.
A clear development strategy turns reluctant board members into inspired fundraisers.
The most effective boards measure their own performance. Governance expert Nancy Axelrod shares her insights into self-evaluation for your organization.
Kathleen Fargnoli didn't anticipate that her love for singing would lead her to putting together a board or applying for 501(c)(3) status. But that's exactly what happened when she ended up as the volunteer executive director of the Palisades Community Chorus in Bucks County, Pennsylvania.
Being appointed to chair a committee is the easy part. This practical advice, tested in the real world, will help ensure success.
It’s important to consider whether endowment fundraising is right for your chorus and to carefully plan before taking the leap.
Brett Stover grew up singing in choirs and has served on the boards of an array of music and arts groups in Cincinnati. Now he brings his business savvy and love of the performing arts to Chorus America's Board of Directors. "The more people who are singing, the better off we will all be," he says.
Here are more techniques for both conductors and singers to consider after reading the article "Is It Okay to Ask Questions During Rehearsal" by Kelsey Menehan.
When do partnerships add value and when do they distract from a chorus’s mission? Philadelphia’s venerable Mendelssohn Club explores the spectrum of collaboration, from artistic to administrative.
In Detroit, music and arts organizations are pooling their resources to buy management expertise. That's how Erica Battle, a certified public accountant, stepped into her position as executive director of the Detroit Children's Choir. Here she talks with Chorus America about the shared services model that has been successful in Detroit, her new role, and her recent experience at October's Chorus Management Institute.